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jazz    音标拼音: [dʒ'æz]
n. 爵士乐,喧闹
a. 爵士乐的,喧吵的
vi. 演奏爵士乐,跳爵士乐

爵士乐,喧闹爵士乐的,喧吵的演奏爵士乐,跳爵士乐

jazz
n 1: empty rhetoric or insincere or exaggerated talk; "that's a
lot of wind"; "don't give me any of that jazz" [synonym:
{wind}, {malarkey}, {malarky}, {idle words}, {jazz},
{nothingness}]
2: a genre of popular music that originated in New Orleans
around 1900 and developed through increasingly complex styles
3: a style of dance music popular in the 1920s; similar to New
Orleans jazz but played by large bands
v 1: play something in the style of jazz
2: have sexual intercourse with; "This student sleeps with
everyone in her dorm"; "Adam knew Eve"; "Were you ever
intimate with this man?" [synonym: {sleep together}, {roll in the
hay}, {love}, {make out}, {make love}, {sleep with}, {get
laid}, {have sex}, {know}, {do it}, {be intimate}, {have
intercourse}, {have it away}, {have it off}, {screw}, {fuck},
{jazz}, {eff}, {hump}, {lie with}, {bed}, {have a go at it},
{bang}, {get it on}, {bonk}]

jazz \jazz\ n.
1. A type of music that originated in New Orleans around 1900
and developed through increasingly complex styles, but
generally featuring intricate rhythms, improvisation,
prominent solo segments, and great freedom in harmonic
idiom played frequently in a polyphonic style, on various
instruments including horn, saxophone, piano and
percussion, but rarely stringed instruments. [WordNet
sense 1]
[WordNet 1.5 PJC]

2. empty or insincere or exaggerated talk; as, don't give me
any of that jazz. [WordNet sense 2]

Syn: wind, idle words, nothingness.
[WordNet 1.5]

3. A style of dance music popular in the 1920s; similar to
New Orleans jazz but played by large bands.
[WordNet 1.5]

46 Moby Thesaurus words for "jazz":
acid rock, avant-garde jazz, ballroom music, baloney, bebop,
boogie-woogie, bop, bull, bushwa, concert, country rock, crap,
dance music, dances, dramatico-musical, flimflam, folk rock, guff,
hard rock, hot, hot jazz, instrumental, jazzed up, jazzy, jive,
mainstream jazz, malarkey, moonshine, musical suite, orchestral,
poppycock, rag, ragtime, ragtimey, rhythm-and-blues, rock,
rock-and-roll, suite, suite of dances, swing, swingy, symphonic,
syncopated, syncopated music, syncopation, the new music

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  • Jazz | Definition, History, Musicians, Facts | Britannica
    Jazz is a musical form, often improvisational, that was developed by African Americans and influenced by both European harmonic structure and African rhythms It is often characterized by syncopated rhythms, polyphonic ensemble playing, and the use of original timbres Learn more about its history and prominent musicians
  • Jazz Music Portal | Britannica
    Latin jazz, a style of music that blends rhythms and percussion instruments of Cuba and the Spanish Caribbean with jazz and its fusion of European and African musical elements Latin jazz was the result
  • jazz summary | Britannica
    jazz, Musical form, often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythms
  • Jazz - Swing, Soloists, Improvisation | Britannica
    Jazz - Swing, Soloists, Improvisation: Major swing soloists also emerged in the 1930s—most notably tenor saxophonists Coleman Hawkins, Lester Young, and Ben Webster; pianists Art Tatum and Teddy Wilson; and singer Billie Holiday Hawkins had left the Henderson band in 1933 for what turned out to be a six-year stay in Europe, during which he not only taught most Europeans about jazz and swing
  • Jazz - Ragtime, Blues, Swing | Britannica
    Jazz - Ragtime, Blues, Swing: In the early 1930s two bands made important contributions to jazz: Bennie Moten’s, with the recordings of “Toby,” “Lafayette,” and “Prince of Wails,” and the Casa Loma Orchestra, with “Casa Loma Stomp” and “San Sue Strut ” The Black Moten band had little immediate effect on the greater jazz scene, instead influencing an inner circle of Black
  • Jazz - Orchestral, Improvisation, Swing | Britannica
    Jazz - Orchestral, Improvisation, Swing: It was in the 1920s that the first forms of true orchestral jazz were developed, most significantly by Fletcher Henderson and Duke Ellington Although large aggregations had begun to appear in the late teens, these were dance orchestras playing the popular songs and novelty pieces of the day, with nary a smattering of jazz The credit for being the
  • Jazz - Fusion, Improvisation, Swing | Britannica
    Jazz - Fusion, Improvisation, Swing: The first signs of these fresh musical sounds could be heard as early as 1941, particularly in works by such composer-arrangers as Buster Harding, Neal Hefti, Gerry Valentine, and Budd Johnson Especially explorative and prophetic are such pieces as “The Moose” (1943; by Ralph Burns for the Charlie Barnet band), “Shady Lady” (1942; by Andy Gibson
  • Louis Armstrong - Encyclopedia Britannica
    Louis Armstrong was the leading trumpeter and one of the most influential artists in jazz history He was also a bandleader, singer, film star, and comedian With his great sensitivity, technique, and capacity to express emotion, Armstrong led in the development of jazz into a fine art
  • Jazz - Field Hollers, Funeral Processions | Britannica
    Jazz - Field Hollers, Funeral Processions: Jazz, as it finally evolved as a distinct musical style and language, comprised what Max Harrison calls, in the New Grove Dictionary of Music and Musicians, a “composite matrix” made up of a host of diverse vernacular elements that happened to come together at different times and in different regions This matrix included the field hollers of the
  • Ella Fitzgerald | Biography, Music, Facts | Britannica
    Ella Fitzgerald, American jazz singer known for the wide range and rare sweetness of her voice





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